Original Story by Greg Bear | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Teleplay by Alan Brennert | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Directed by Paul Tucker | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Original Airdate - February 21, 1986 | ||||||||||||||||||||||||||||||||||||||||||||||||||||
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Story: | ||||||||||||||||||||||||||||||||||||||||||||||||||||
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Here the new Twilight Zone is back on track, with a unique, complicated story that is well handled and well cast. "Dead Run" is based on a short story by Greg Bear, and adapted for the NTZ by Alan Brennert. It's the story of an average person who feels he can make a difference, an underdog who has a chance to redeem himself, albeit on a grand scale: Making the choice for someone between Heaven and Hell. Steve Railsback can assume any kind of character, and here he plays a man who has sunk to the bottom. He begins to feel he's sinking even lower than that, when he's reduced to driving the damned to Hell, but as the story progresses he feels he's being given a second chance to do some good. Railsback has always had an intense, hypnotic stare, and he puts it to good use here when he's talking with the other truck drivers, with the dead who surround him, and with the Dispatcher in Hell. He's the perfect choice for this role and he's excellent in it. Barry Corbin plays his friend Pete, and no one plays laid-back and charming better than Corbin. His character has driven the road to Hell for years, and he's accepted the consequences of that and isn't going to endanger himself by sticking up for the dead. He's charming but uninvolved in their plight. Both Railsback and Corbin have an easy camaraderie that shows on the screen. The metaphysical talks they have as they drive to Hell play against the idea that truckers don't think deep thoughts. I would imagine that with all the time truckers have while driving to think, they might think deeper thoughts than most of us. This episode also has several actors who later became much more famous. Brent Spiner, who went on to"Star Trek: The Next Generation," plays a draft dodger being sent to Hell. John DeLancie plays the Dispatcher in Hell, and he went on to considerable success as "Q"in the same Star Trek spinoff. John D. LeMay, who went on to star for three years in the "Friday the 13th" series, is the gay man Johnny saves at the end, along with Spiner's character. Nancy Lenehan, who had a role in every TV series since 1980, I think, plays the drug addict saved with them. The dead are handled especially well. They all have white faces accentuated by dark-rimmed eyes. The guards in Hell were grey uniforms and helmets with visors, making them look rather like the Combine in Half-Life 2. They're able to light cigarettes with their palms, a neat special effect which enhances the segment; the waitresses at Hell's truck stop (a great name for a diner, by the way) appear to be of the same ilk. The view of Hell from far away looks like what we've come to think of an Hell, red-tinged and fiery. However, the inside of Hell looks like an industrial complex; steel and dark corners predominate. All in all, this is an evocative and thoughtful attempt to try and explain how souls end up in Hell, filtered through a corporate view, which is an intriguing idea. Corporations are rather like that, consigning some workers to Hell and others to Heaven, depending on their job duties. |
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